细部的抽象化和活跃化  

Abstraction and Animation of the Detail

作　　者：陈镌[1] 

机构地区：[1]同济大学建筑与城市规划学院,上海200092

出　　处：《新建筑》2015年第1期114-118,共5页New Architecture

摘　　要：在现代主义艺术和建筑中,抽象占据了主导地位。在此背景下,抽象化的细部使得使用者日益疏远建筑,而该问题的解决要借助于细部的活跃化。通过抽象与移情、视觉与触觉、家具与建筑的比较,指出了在抽象化背景下引入活跃化细部的途径:借助于移情、触觉、与建筑风格不同的家具,可以形成与抽象化细部互补的活跃化细部,从而加深对建筑的理解。Abstraction dominates modernist art and architecture. Under this condition, occupants are increasingly alienated from the architecture with abstract details. This essay proposes the animation of details to solve this problem. Based on comparisons between abstraction and empathy, visual sense and tactile sense, furniture and architecture, the essay reviews the methods of introducing animated details under the abstract context： through empathy, tactile sense and furniture with a style that is different from architecture, animated details can be produced complementary to abstract details, thereby increasing the comprehension of architecture.

关 键 词：细部 抽象化 活跃化 移情 视觉 触觉 家具 现代建筑 

分 类 号：TU-80[艺术—艺术设计]