图底反转:内外连续性与妹岛和世的“分块”操作  

Figure-Ground Reversal:Internal and External Continuity and the Operation of Mass Decomposition by Kazuyo Sejima

作　　者：李静波[1] 戴志中[1] 

机构地区：[1]重庆大学建筑城规学院,重庆400045

出　　处：《新建筑》2015年第1期124-127,共4页New Architecture

摘　　要：塞维的内外连续性的四维分解法,并非仅为"化体为面"的分片操作,也涉及了"化整为零"的分块操作。然而,塞维的视野局限于德国包豪斯校舍"实块"分解的孤例,他武断地认为分块操作不能像分片操作一样产生内外相互穿插的连续性。通过比较包豪斯校舍与仓山集合住宅的分块操作之后发现:与格罗皮乌斯重视"实块"分解不同,妹岛更关注分块操作中"虚块"的"图形"特征,并运用图底反转的分块操作获得了内外连续性。上述研究的意义在于:一方面修正了塞维的理论推论,另一方面丰富了当代建筑创作的技巧。Zevi＇s four-dimension decomposition, which created the continuity between inside and outside, was not just the mass decomposition but also the surface decomposition. However, concentrating on the only case of Bauhaus School House, Zevi arbitrarily considered that the mass decomposition could not realize the continuity between inside and outside, as the surface decomposition did. Thorough comparison between the work by Walter Gropius and that by Kazuyo Sejima from Japan, this paper argues that the latter pays more attention to the figure characteristics of the void and applies the mass decomposition of figure-ground reversal to create the continuity of inside and outside. The value of this research is to develop the theoretical exploration in Zevi＇ s book, but also enrich the design skill of contemporary architecture.

关 键 词：内外连续性 分块 分片 图底反转 虚块 水平交错 上下错叠 

分 类 号：TU-024[建筑科学—建筑理论]