试论宋代建筑色调的审美嬗变——《营造法式》美学思想研究之一  

Aesthetic Transformation of Architecture Color in Song Dynasty: Aesthetic Thought of Rules and Law of Building( Yingzao Fashi)

作　　者：陈望衡[1] 刘思捷[1] 

机构地区：[1]武汉大学城市设计学院,湖北武汉430072

出　　处：《艺术百家》2015年第2期144-149,197,共7页Hundred Schools In Arts

基　　金：2013年度国家社会科学基金重大项目"中国古代环境美学史研究"(项目编号:13&ZD072)阶段性成果之一

摘　　要：中国古建筑彩画的色彩审美随时代不同而变化,其中尤其以宋代的建筑彩画风格对后世影响最大,《营造法式》一书中对于宋代彩画的色彩应用有详细描述,对比唐宋建筑彩画,可发现宋代建筑彩画色彩风格较唐时有重大改变,而宋代色彩审美观的形成源自当时政治、宗教等文化因素以及中华民族审美规律的影响,尤其与禅宗"本心清净"思想的引导有直接关系。Color aesthetics of colored painting in ancient Chinese architecture changes with the times. The style of ar- chitecture colored painting in Song dynasty has exerted the largest impact on later generations. Yingzao Fashi （Rulesand law of Building） elaborately describes the color application in colored painting in Song dynasty.Comparing the style of architecture colored painting in Tang and Song dynasties, we find that therewere great changes in that of Song dynasty. The color aesthetics in Song dynasty was greatly impacted by cultural fac- tors for instance politics and religion, and the Chinese national aesthetic law, and had a direct relation to Zen thought that the innate mind is naturally peaceful and quiet.

关 键 词：建筑艺术 中国古建筑彩画 《营造法式》 色彩审美观 建筑彩绘 禅宗 

分 类 号：J50[艺术—艺术设计]