解析川剧文学化进程中的经典文本创新——蓝光临先生论川剧《情探》的文学化与艺术化创新  

Classic Innovation in Sichuan Opera's Literaturalization: Lan Guanglin's Opinion of Literary and Artistic Innovation of Sichuan opera Love Touchstone

作　　者：蓝光临 钟鼎[2] 

机构地区：[1]成都市川剧院,四川成都610016 [2]清华大学经济管理学院,北京100084

出　　处：《西华大学学报（哲学社会科学版）》2015年第3期52-60,67,共10页Journal of Xihua University(Philosophy & Social Sciences)

摘　　要：此口述史是蓝光临先生将自己平生关于《情探》的所见、所闻、所学、所感、所得梳理而来,它以朴实的语言揭示了川剧走向文学化的进程。该口述史以生动的语言对《情探》的背景、剧中敫桂英与王魁这两个主要人物思想感情发展脉络,以及《情探》呈现的表演艺术等所作的深入分析,深刻地展示了该剧丰富的文化内涵,这些文化内涵不仅体现出川剧的艺术魅力,也令人折服地认识到《情探》不愧是川剧走向文学化的经典之作。This essay, dictated by Lan Guanglin, on the basis of what he saw, heard and felt about, learned and gained from the Sichuan opera Love Touchstone（ Qingtan）, reveals the literaturalization process of Sichuan opera. Through the profound analysis of the background, the emotional development of the two main characters, Jiao Guiying and Wang Kui, and the performance artistry of Love Touchstone, the essay demonstrates the rich cultural connotation of it and makes readers realize the fact that Love Touchstone is a masterpiece in the literaturalization process of Sichuan opera.

关 键 词：《情探》 川剧 敫桂英 王魁 文学化 

分 类 号：I236.71[文学—中国文学]