民族旅游地的文化展示与“旅游域”建构——以三亚槟榔谷为例  

Culture Exhibition and Construction of the Tourist Sphere in Ethnic Tourism Destination:A Case Study of Areca Valley in Sanya

作　　者：王学基 孙九霞[1,2] 

机构地区：[1]中山大学旅游学院,广东广州510275 [2]中山大学旅游发展与规划研究中心,广东广州510275

出　　处：《旅游论坛》2015年第2期23-30,共8页Tourism Forum

基　　金：国家自然科学基金面上项目"社区旅游发展过程中的社会空间再生产"(41171124)

摘　　要：旅游开发使得民族文化在"旅游域"中变成了可展示和可观赏的事项。以三亚槟榔谷为例,运用人类学田野调查方法,对其旅游发展过程中的"文化展示"及其"旅游域"的形成过程进行深入分析,认为民族旅游地旅游域中的文化展示是依托族群"自用"文化进行"旅游域"中"他用"文化生产的过程,既是一种族群自身的文化自觉,也是一种多方主体的文化协商;舞台化既是"旅游域"建构的手段,也是"旅游域"进行文化展示的基本特征;"旅游域"的建构过程中,游客的凝视催生了文化"有根的移植",继而在"旅游域"内部发生生活空间的重建。Tourism development has made it possible for ethnic culture to be visible and ornamental in the tourist sphere.Taking Areca Valley in Sanya as an example,this paper used Anthropological Fieldwork to conduct an in-depth analysis of the culture ex-hibition and its tourist sphere’s forming process in the development of the valley.The author holds the view that the culture exhi-bition of ethnic tourism destination is the production process of other-consumption culture in the tourist sphere based on the self-consumption culture of ethnic group.Meanwhile,the culture exhibition of tourist sphere is an ethnic group’s culture conscious-ness,as well as a cultural negotiation of multiple subjects.Stagedness is not only the method of tourist sphere’s construction,but also the main characteristic of its culture exhibition.In the process of tourist sphere’s construction,tourist gaze hastens the cul-tural transplant with roots,thus reconstructing the living space inside the tourist sphere.

关 键 词：民族旅游 文化展示 旅游域 槟榔谷 

分 类 号：F592.7[经济管理—旅游管理]