英美托尔金研究的第一波高潮  

作　　者：祝平[1] 

机构地区：[1]苏州科技学院外国语学院

出　　处：《英美文学研究论丛》2014年第2期34-44,共11页English and American Literary Studies

基　　金：江苏省高校哲学社会科学基金项目“托尔金小说的伦理之维”(09SJD750031)的阶段性成果;江苏省“333高层次人才培养工程”;江苏省高校“青蓝工程”;“江苏省高校优秀中青年教师和校长境外研修计划”资助

摘　　要：自《魔戒》出版（1954）至托尔金逝世（1973）,英美托尔金迷和严肃学者就托尔金的语言风格、作品的文类和作品主题方面进行了较为全面的研究,使英美托尔金研究形成了第一波高潮。本文从内容和形式两方面对20世纪50至70年代英美托尔金研究做出综述。在风格方面,有评论者认定托尔金的语言完全适合作品中特定的人物和叙事情境,有人则认为他如果不试图使用中世纪的文体,表达效果也许会好些。在《魔戒》等作品的文类上,不同研究者分别论证《魔戒》属于讽喻之作、神话、传奇或奇幻等不同文类。在主题方面,该领域的研究重点集中在作品表达的善恶之争、英雄主义和个人追寻等方面。From the publication of The Lord of the Rings in 1954 to Tolkien＇s death in 1973, American and British Tolkien fans and serious researchers both contributed significantly to the studies of Tolkien＇s style, the genre and the themes of his works, thus forming the first high tide of Tolkien studies. This paper is a survey of Tolkien studies in the UK and the US during this period. In terms of his style, some believed Tolkien＇s language went well with the specific characters and the narrative contexts, while others argued that it might have produced a better effect if Tolkien had not attempted the medieval style. As for the genre of The Lord of the Rings, opinions varied as to whether it was a piece of allegory, mythology, romance, fantasy or any other form. Regarding themes, researchers focused on heroism, personal quest, the conflict between Good and Evil, among many othersl

关 键 词：托尔金 文献综述 《魔戒》 《霍比特人》 

分 类 号：I561.074[文学—其他各国文学]