论希尼的“倾听”诗学理念及其实践  

On Seamus Heaney's Poetics of Listening

作　　者：颜美娟 王丽丽[1] 

机构地区：[1]福建师范大学外国语学院

出　　处：《当代外国文学》2015年第2期104-110,共7页Contemporary Foreign Literature

摘　　要：在对希尼作品中听觉和声音要素的研究里,有关他"倾听"的诗学思想及其实践鲜有评述。希尼作为一个听觉诗人,将他的"倾听"理念浓缩嵌置于诗文创作中。鉴于此,本文试图结合文本揭示其"倾听"思想及其诗学实践:通过"听觉地窖"的储存、"原始音调"的模仿和"个人音调"的探测这一系列的"倾听"实践,使得诗歌能够缔造一种既忠实于外部真实的冲击,又敏感于诗人存在的内部法则的秩序。Despite previous studies concerning the aural elements in Seamus Heaney＇s poetry, few have examined Heaney＇s practice of poetic listening. As a poet with an acute ear for the sounds of the world, Heaney translates what he has heard into his poems and creates his poetics of listening. This paper argues that through the deposit of “Listening Cellar”, the imitation of “Original Accents”and the sounding of “Personal Voice”, Heaney＇s poetry can make an order as true to the impact of external reality and as sensitive to the inner laws of the poet＇s being.

关 键 词：谢默斯·希尼 “倾听” 诗学 诗学实践 

分 类 号：I562.072[文学—其他各国文学]