古代扇骨艺术的独立与发展  

The Independence and Development of The Ancient Shan Gu Art

作　　者：杨祥民[1] 

机构地区：[1]南京邮电大学传媒与艺术学院

出　　处：《创意与设计》2015年第2期70-73,共4页Creation and Design

基　　金：江苏省教育厅高校哲学社会科学研究指导项目(项目编号:2012SJD760049);南京邮电大学人文社会科学研究重点基金项目"中国扇文化研究"(项目编号:NYS214004)阶段性成果

摘　　要：中国古代扇子的扇骨,独立和发展成为一种可与扇面并列的艺术形式,在历史上还涌现出一批重要的扇骨艺术家。扇骨艺术不仅非常重视扇骨材质,而且以雕刻、烫花、髹漆、镶嵌、描绘等精致的制作工艺,塑造出丰富的外在形式,产生独特的艺术魅力。同时扇骨艺术与传统文人的关系也很密切,浸渍了传统思想的影响,可谓是一种意蕴甚丰的文化器物。In ancient China,the independence and development of the ancient Shan Gu art and become a kind of art form juxtaposed with the fan painting art.It has emerged a number of important Shan Gu artists in history.Shan Gu art is not only attaches great importance to the material,but also with engraving,hot flowers,painted,mosaic,dep icting other fine craftsmanship,create a wealth of external form,produce unique artistic charm.At the same time,the relationship between Shan Gu art and traditional literati is also very close,dipping the influence of traditional ideas. So.the Shan Gu can be described as a rich connotation cultural artifacts.

关 键 词：扇骨 竹刻 折扇 扇头 

分 类 号：J505[艺术—艺术设计]