文化政治学视域下的“地方文化产业”政策变迁:台湾经验与启示  

On the Local Cultural Industry Policy Changes from the Perspective of Cultural politics: Taiwan Experience and Inspiration

作　　者：林颖[1] 吴鼎铭[1] 

机构地区：[1]武汉大学新闻与传播学院,湖北武汉430072

出　　处：《福建师范大学学报（哲学社会科学版）》2015年第3期38-43,168,共6页Journal of Fujian Normal University:Philosophy and Social Sciences Edition

基　　金：2013年国家社科基金青年项目<海峡两岸文化创意产业合作研究>(编号:13CXW056)阶段性成果

摘　　要：为巩固自身的合法性地位,缓解因过度忽视城乡发展失衡所造成的民间对抗力量,台湾当局通过凸显"文化产业"的"地方性"作为解决社会问题的切入点。台湾地方文化产业政策始于20世纪70年代,其制定与变迁根据实现需要呈现出三个重要转向:从"政府"主导转向地方"自治化";从"各自为政"转向建立行政配合机制;从硬件设施建设转向全民动员。从文化政治学角度解析地方文化产业政策的变迁不仅有利于更深刻地理解台湾地方文化产业在特定语境中所扮演的文化、经济与政治角色,同时也可以为推动大陆地方文化产业的发展提供可借鉴的经验与教训。In order to consolidate its legitimacy status,and to alleviate the power of civil confrontation caused by imbalance of urban and rural development,Taiwan authorities has highlighted the local cultural industries as the starting point to solve social problems. Taiwan's local cultural industry policy began in 1970 s,and its formulation and transition show three important shifts: from the government-led steering to local'autonomy'; from the'fragmented'steering to administrative cooperation mechanisms; from establishing hardware facilities to popular mobilization. Analysis on changes of local industry policies not only can lead to a deeper understanding of the cultural,economic and political role of Taiwan and also can provide useful experience to promote the development of local cultural industries and the mainland.

关 键 词：台湾地方文化产业 文化政策 “文建会” 社区总体营造 自治化 动员 

分 类 号：G114[文化科学]