王鲁彦和20世纪30年代左翼文学思潮的关系探析  

Analysis of the Relationship between Wang Luyan and Left- wing Literature Trend of Thought in 1930s

作　　者：周银银[1] 

机构地区：[1]南京师范大学文学院,江苏南京210097

出　　处：《常州大学学报（社会科学版）》2015年第3期92-97,共6页Journal of Changzhou University:Social Science Edition

摘　　要：在20世纪30年代中国特定的社会环境和政治文化语境中,王鲁彦与左翼文学思潮构成了复杂的纠缠关系。一方面,他从切实的生活体验出发,在时代的感召下不断向左翼文学靠拢,创作了《乡下》和《野火》等极富左翼色彩的小说。在这些小说中,阶级斗争空前尖锐,农民彰显出决绝反抗的姿态。另一方面,作为一个"自由先锋,文化楷模",鲁彦始终保持着文学的相对独立性,导致其创作实践与左翼文学的主流趋向发生了一些错位,比如人道主义思想的渗入和抒情气息的弥漫。但毋庸置疑,在20世纪30年代及以后,鲁彦一直自觉或不自觉地接受着左翼文学的影响。Wang Luyan and Left -wing Literature trend of thought constituted complex relationship in Chinese so-cial environment and political culture contexts in 1930s.For one thing,he drew from real life experience and came close to Left -wing Literature.As a result,he created some novels such as Countryside and Wildfire which were filled with strong sense of Left -wing.Among these novels,class struggle was very sharp and farmers showed their great resistance.For another thing,as a “vanguard of freedom”and “model of culture”,Wang Luyan maintained the relative independence of literature all the time,which made him create some works that were different from the main trend of Left -wing Literature.For example,there were humanitarianism thought and lyrical flavor in his no-vels.However,it′s no doubt that Wang Luyan always has been affected by Left -wing Literature consciously or not since the 1930s.

关 键 词：王鲁彦 左翼文学思潮 影响 错位式写作 

分 类 号：I206[文学—中国文学]