明清西北回族花儿的“中阿”传统文化因素  

The Traditional Cultural Factors of China and Arab of Hui People's Hua'er in Ming and Qing Dynasties

作　　者：马冬雅[1,2] 

机构地区：[1]中央音乐学院音乐学研究所,北京100031 [2]宁夏大学音乐学院,宁夏银川750021

出　　处：《回族研究》2015年第2期62-67,共6页

基　　金：国家社会科学基金艺术学项目(13CB103)

摘　　要：明清时期出现在中国西北的回族花儿是"多道男女情致"的山歌。"花儿"兼具中国传统文化和阿拉伯传统文化两方面因素。一方面,"花儿"的称谓、创作观念、演唱场域与中国传统文化相关;另一方面,"花儿"反映出的伊斯兰教伦理观和阿拉伯传统音乐习俗与阿拉伯传统文化相关,从中可见回族作为河州型花儿最主要的创造者所具有的历史根源。In Northwest China, Hua＇ er has been Chinese Hui people＇ s romantic folk songs Qing Dynasties. Hua＇er has both the traditional Chinese and Arabic cultural elements . On one creation ideas and field activities are all associated with Chinese traditional culture. On the other since Ming and hand, its titles, hand, it reflects the connection between Islamic ethics and the Arabic traditional music customs associated with the traditional culture of Arab. Thus, it has historical roots that Chinese Hui people are main creator of Hua＇ er

关 键 词：西北花儿 回族花儿 “中阿”传统文化 

分 类 号：J607.213[艺术—音乐]