20世纪以来《中国文学史》中的明代七子派研究述评  

The Research and Comment for the Seven Poets of Ming Dynasty in The History of Chinese Literature since 20thCentury

作　　者：史小军[1] 杨亚蒙 

机构地区：[1]暨南大学文学院,广东广州510632

出　　处：《昆明学院学报》2015年第2期69-84,共16页Journal of Kunming University

基　　金：教育部人文社会科学基金项目"明代七子派接受史研究"(12YJA751051)

摘　　要：七子派在明代文坛上首屈一指,影响延至明清以后,但对该派完整且客观的认识和评价则经历了漫长的过程。《中国文学史》是了解中国文学最重要的途径之一,然而20世纪以来其对七子派的研究过程也同样漫长而曲折,关于七子派的整体评价及文学史地位问题、七子派复古运动中的模拟与"真诗乃在民间"问题以及七子派与唐宋派、公安派、竟陵派等其他文学流派的关系等问题都呈现出不同的风貌,表现出著者所处的时代特点和研究水平。The Seven Poets in Ming dynasty had great influence which lasted even after Ming and Qing dynasties, but got complete and objective evaluation after a long period of time. The scholars spent a long and tortuous period of time for the research of these poets since 20^th century in The History of Chinese Literature, which is one of the most important approaches for scholars to learn about Chinese literature. Different perspectives are found such as the integrative evaluation for the poets, the importance of the literary history, the imitation of retro movement, the views of which the real poems were from the ordinary people, and the relationships between the poets and other literary schools of Tang and Song, Gongan and Jingling. All these demonstrate the features of the contemporary and the research achievements.

关 键 词：中国文学史 明代文学 明代七子派 研究述评 

分 类 号：I206.2[文学—中国文学] K248[历史地理—历史学]