论1990年代先锋诗体探索及其意义  

On the Exploration of Pioneer Poetry Style in the 1990s and Its Meaning

作　　者：许霆 

机构地区：[1]常熟理工学院人文学院,江苏常熟215500

出　　处：《常熟理工学院学报》2015年第3期17-24,共8页Journal of Changshu Institute of Technology

基　　金：国家社会科学基金后期资助项目"中国新诗韵律节奏论"(13FZW074)

摘　　要：1990年代的先锋诗歌重视诗体现代性的探索。其诗体建设的理论主要是历史意识、叙事意识和语言意识等,从而促使新诗的写作动机、写作姿态、写作策略和写作风格发生深刻变化。在这过程中出现了一些具有诗体实验性的尝试,如走向宣叙调性、走向反讽文本、走向语感诗体、走向叙事形态等。这种理论和创作上的诗体探索,同先锋诗人在特定年代里寻求新的写作精神有关,它的意义就是新诗创作由共名走向无名,把新诗写作建立在一种更为独立、沉潜的"个人"的基石之上。The pioneer poetry of the 1990s attached importance to the exploration of poetic modernity. The main theory of the construction of poetic style is historical consciousness, narrative consciousness and language aware？ness, effecting profound changes in motivation for writing new poetry, writing style, writing strategies and collabora？tive style. There appeared some poetic experimental attempts in the process such as recitative tonality, ironic text, poetic language, and narrative morphology. The theory and the exploration of poetic creation are concerned with a new spirit of writing of the pioneer poets in the specific times. The meaning lies in the fact that the new poetry cre？ation is transformed from being co-authored to the nameless and that the new poetry writing is based on a more in？dependent and latent“individual”.

关 键 词：新诗 诗体 先锋诗 

分 类 号：I207.25[文学—中国文学]