少数民族题材绘画创作的民族关怀——以少数民族现代化发展为背景  

Nationality Solicitude of Minority Subject of Painting Creation:The Modernization of National Minority Development as the Background

作　　者：何薇[1,2] 

机构地区：[1]西安文理学院,陕西西安710065 [2]西安美术学院,陕西西安710065

出　　处：《贵州民族研究》2015年第5期70-73,共4页Guizhou Ethnic Studies

基　　金：2014年国家社科基金重点项目"爱在美学中的基础性地位研究"(13A ZX 027)

摘　　要：少数民族题材绘画创作的现实价值是关注少数民族的现在和将来,是基于民族关怀的一种艺术创作。事实上,虽然当前较为原始的民族景观随着社会发展逐渐消失,少数民族民众的生产生活呈现出崭新的面貌,但是囿于传统民族风情特色所具有的视觉效果和精神冲击效果,大多数少数民族题材的绘画创作仍然偏重于传统民族风情方向的描绘,而对正在发生变化的民族生活与民族情感缺少关注。以现实社会中民族的发展变化为背景,以民族关怀为视角,对少数民族题材绘画中的民族生活关怀,民族精神世界关怀以及民族情感关怀进行了论述,揭示了民族发展进程中少数民族题材绘画的创作原型,创作观念和创作价值也应随着民族的发展而调整。The real value of the national minority theme painting is focused on the present and future of ethnic minorities, is an artistic creation based on national concern. In fact, although the more primitive national landscape along with the gradual disappearance of social development, minority people＇s production and living has taken on a new look, the visual effect and the spirit of the impact effect due to the characteristics of traditional folk customs of most ethnic minority groups, depicting the painting creation is still biased towards the direction of traditional culture, and to change ongoing national life and national sentiment of the lack of attention. Based on this, this article on the background of the development and change of nationality in the realistic society, by the national care perspective, on minority paintings in national life care, the national spirit and national emotion world care care are discussed, revealing the archetype of painting the minority subject matter in the course of the national development, creative concept and value should also be adjusted along with the development of a nation.

关 键 词：民族 绘画 民族发展 民族关怀 

分 类 号：J205[艺术—美术]