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作 者:陈婧男[1]
出 处:《黑龙江民族丛刊》2015年第3期141-145,共5页Heilongjiang National Series
摘 要:随着时代的发展,国家对非物质文化遗产逐渐重视。鄂伦春族作为东北地区少数民族的重要构成,其信奉萨满教,而其萨满服饰的造型与纹样图案也别具一格,充满了宗教文化性。但是,学术界有关萨满服饰以及萨满文化的研究虽多,但单独就鄂伦春族萨满服饰的研究较少。本文对鄂伦春族萨满服饰的造型与纹样图案进行深入探究,重点分析鄂伦春族萨满服饰的造型艺术审美和纹样图案艺术审美,并对其中蕴含的宗教文化进行阐释。With the step by the country. As believes in Shamanism, development of times, the intangible cultural heritage is being highly regarded step by an important composition of the and the shaping and dermatogl ethnic minority in northeast China, Elunchun minority yphic pattern of the dress and personal adornment of Shaman are unique and full of the culture of religion. However, though there were many researches about the dress and culture of Shaman, the literature about Shaman dress of Elunchun minority was few. Therefore, the shaping and dermatoglyphic pattern of Shaman dress are investigated in depth. The emphasis is put on the a- nalysis of the formative art aesthetics and dermatoglyphic pattern art aesthetics of Shaman dress of Elunchun minority, the religion culture contained in it is explained in the paper.
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