明代云南词人及词作刍论  

Discussion on Yunnan Ci Poets and Ci-poetry in Ming Dynasty

作　　者：张若兰[1] 

机构地区：[1]大理学院文学院,云南大理671003

出　　处：《大理学院学报（综合版）》2015年第5期43-48,共6页Journal of Dali University

基　　金：云南省哲学社会科学规划项目(YB2012071)

摘　　要：明代是云南词发展的重要阶段,这首先表现为词人及词创作数量增加。同时,明代云南词自具特色。从分布来看,民族作家和区块创作较为突出。从题材来看,甚少受彼时国内词坛艳帜高张的影响。从形式来看,联章体的大量采用颇为引人注目。从风格来看,云南词虽亦有诗化与曲化之痕迹,却更具本色之味,其本色之味的形成与云南词所置身的文学与文化环境相关。Ming Dynasty witnessed the development of Ci-poetry in Yunnan with the rapid growth of Ci poets and Ci-poetry as the symbol. Meanwhile, Yunnan Ci-poetry had its own features in Ming Dynasty： in terms of distribution, minority writers and different regional creations were obvious; in terms of theme, less impact of the popular brothel theme in Ci- poetry in China's Mainland has been found; in terms of form, the chapter-after-chapter style had drew people＇s attention; in terms of style, although the tendency of poetry and songs could be found in Yunnan Ci-poetry, it enjoyed its own special features whose formation was related to the literature and the cultural environment that Yunnan Ci-poetry was in.

关 键 词：明代 云南 词人 词作 

分 类 号：I207.23[文学—中国文学]