大提琴运弓的教学研究  

A Research of Cello Bowing Teaching Method

作　　者：李钢[1] 

机构地区：[1]沈阳音乐学院管弦系,辽宁大连116650

出　　处：《大连大学学报》2015年第2期127-131,共5页Journal of Dalian University

摘　　要：大提琴演奏技术的发挥受到了乐器自身的琴弦较粗又硬不易震动等自然条件的干扰,这对演奏技术的质量保障形成了很大的挑战,所以大提琴是很难掌握的乐器种类的一种,也是技术性非常强的艺术种类。左手从握弓至运弓及左臂至手指各部位相关的正确、科学的运动是决定着能否演奏出大提琴特有的悠扬浑厚、丰满动听的声音,特别是运弓直接关系着优美音色的产生,是大提琴演奏、学习中的关键和难题,正确的演奏技巧出自于科学的把自然方法和教学理论的运用相结合。Cello performance is influenced by such factors as its heavy crude and hard strings forming an obstacle to the quality of its performance, therefore it is the musical instrument that is hard to master while with strong technical art form in that correct posture and movement of left hand＇s gripping the bow and the cord decide whether to produce melodious and beautiful tunes, especially the movement of the bow is much related to the production of beautiful tunes, or the key and the skill in the performance and the playing of the cello and correct performance skills come out by applying teaching methods in the scientific performance.

关 键 词：杠杆作用 自然放松 弓速 

分 类 号：J622[艺术—音乐]