中国近百年美声作品的演唱变革与发展  

The Transformation and Development of Chinese Bel Canto-style Operatic Works in the Last Hundred Years

作　　者：马蕾[1] 

机构地区：[1]中国音乐学院声乐系,北京100101

出　　处：《南阳师范学院学报》2015年第5期48-50,70,共4页Journal of Nanyang Normal University

摘　　要：美声唱法源于意大利,但在不同国家的语言下,就会产生不同的发声方法和风格。自五四运动后传入中国以来,在西方美声传统剧目的基础上,诞生出我国的美声唱法及作品。随着美声唱法在中国的近百年发展,作品演唱上也形成了多种风格。Bel canto, an Italian-originated vocal style that prevailed throughout most of Europe during the 18th cen-tury and early 19 th centuries , has undergone variations in terms of vocalizing methods and singing styles in different countries.Even since its introduction to China during the May 4th Movement, Chinese vocalists have developed and created numerous operatic works sung in the style of bel canto in the last hundred years .Blending the Western style of vocalization with that of our own , musicians in China have nurtured a variety of styles in bel canto perform-ance.

关 键 词：美声作品 演唱变革 发展 

分 类 号：J604.6[艺术—音乐]