从《全唐诗》看蜀地与唐代古琴发展之渊源  

The Source of Sichuan and Guqin Development of the Tang Dynasty from “Complete Poetry of the Tang Dynasty”

作　　者：邓婷[1] 肖占鹏[2] 

机构地区：[1]天津中医药大学语言文化学院 [2]南开大学文学院

出　　处：《乐府新声（沈阳音乐学院学报）》2015年第2期39-43,共5页The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)

基　　金：天津市哲学社会科学规划资助重点项目"唐代音乐思想与文学"阶段性成果;项目号:TJZW13-001

摘　　要：唐代是诗歌乐舞高度发展的时期。此时的古琴虽然较之胡璇燕舞的蓬勃发展表现为备受冷落的情势,但相对于其自身发展轨迹来看,唐代古琴发展仍是我国古琴发展史上重要的历史阶段。《全唐诗》有补史料不足的作用,存于其中的千余首古琴诗不仅向我们展现了唐代古琴的发展状况,还传达出蜀地与唐代古琴发展的密切渊源。唐代的蜀琴不仅具有极度精湛的斫琴工艺,还取得了演奏技巧上的精进和成熟,并在风格上自成一脉,形成了以"蜀声"为特点的审美体验。而蜀琴之所以取得如此辉煌的成就并促进了唐代古琴的发展,一方面有赖于蜀地历史悠久的醇厚琴风;另一方面则是受到皇权政令的干预使然,具体表现为唐代统治阶层的喜好对爱琴风尚的引导以及文人入蜀现象对蜀琴文化的传播。在内外因的共同作用下,以蜀琴为代表的唐代古琴取得了长足的发展并对后世产生垂范作用。The Tang Dynasty is a highly developed period of poetry, song, music and dance.This is an important historical stage in guqin development history judging from its own development path.＂Complete Poetry of the Tang Dynasty＂serves as an indispensable supplement for history. Its thousand guqin poetries not only show guqin development status in the Tang Dynasty but also convey the close origin between Shu place and the development of the Tang Dynasty. Shu qin not only has extremely superb making technology, but also possesses mature performance technology. It forms the aesthetic experience of＂Shu sound＂characteristics. Its brilliant achievements promoted the guqin development of the Tang Dynasty, which was the result of time honored qin style as well as the imperial decree. Under the joint internal and external causes, guqin achieved considerable development and acted as the guiding role for later generations.

关 键 词：唐 蜀琴 蜀声 巴蜀琴风 皇权 

分 类 号：J609[艺术—音乐]