从“柔肠”到“断肠”:一个词学主题的多维考索  

From “soft-heart”to “broken heart”:a multi-dimensional analysis of the subject of Ci theory

作　　者：郭守运[1] 

机构地区：[1]华南师范大学城市文化学院,广东佛山528225

出　　处：《安徽理工大学学报（社会科学版）》2015年第2期44-48,共5页Journal of Anhui University of Science and Technology:Social Science

基　　金：2012年度国家社会科学基金一般项目(12BZW009)阶段性成果

摘　　要：中国古代文人大多从个体的身体和生命体验出发,俯仰天地、远近皆取,这是其文学构思的基本途径。从"柔肠百结"的委婉细腻之情,到"愁肠千回"的自怜自哀,再到"肝肠寸断"的悲剧意识,在诗词的创作中,诗人以小见大,以我及物,演绎着中国诗词特有的生命情怀和抒情技巧。"柔肠寸断"作为抒情客体的偶然性发现,成为词学艺术王国的一朵精美浪花。The Chinese ancient scholars mostly departed from the body and life experience of the individual, ran-ging from heaven to earth, which is the basic way of literary creation.From the “heart-knot” of delicate eu-phemism to the“self-pitying sorrow-heart, to the “deeply grieved” tragic consciousness, the poets’ deduc-tion of unique feelings and emotional skills in their poetic creation embodies unique life emotions and lyric skills of Chinese poetry.As an accidental discovery of lyrical objects,“soft-heart in grief” has became a fine spray of the kingdom of Ci art.

关 键 词：柔肠 愁肠 断肠 悲剧美 

分 类 号：I22[文学—中国文学]