毛泽东诗词中的方音现象  

On Dialect Phonetic Phenomena in the Poems of Mao Zedong

作　　者：尹喜清[1,2] 

机构地区：[1]福建师范大学文学院,福建福州350007 [2]邵阳学院中文系,湖南邵阳422000

出　　处：《湖南科技大学学报（社会科学版）》2015年第2期12-16,共5页Journal of Hunan University of Science and Technology(Social Science Edition)

基　　金：国家社科基金项目(10BYY060);湖南省教育厅科研课题(11C1136);魏源及湘西南文史研究基地2011年招标课题(2011WYJD01);湖南省"十二五"重点建设学科"汉语言文字学"(邵阳学院)资助

摘　　要：结合方言学界对毛泽东母语的研究成果,可以客观地分析毛泽东诗词中的方音押韵,这种方音押韵是毛泽东著作中方音现象的体现。毛泽东诗词中的方音押韵可以分为两种情况:一是不自觉的运用,具体表现在他的格律诗上。二是自觉的运用,具体表现在他的词作上。毛泽东在诗词中运用方音押韵有其特定的社会历史原因,但更是他为了追求表情达意的效果,自觉运用方音的表现。毛泽东在诗词中按方音押韵的做法,体现了写传统诗词应该以现代口语的语音体系来押韵的正确方向。Combined with the academic researches of Mao Zedong＇s mother tongue, this paper objectively analyzes the dialect rhymes in Mao Zedong＇s Poems, which embodies the dialect phonetic phenomenon of Mao＇s writings. The dialect rhyme of Mao Zedong＇s poems can be divided into two kinds. Firstly, it is the un- conscious use of dialect rhyme specifically in his metrical poetry. Second, it is the conscious use of dialect rhyme specifically in his Ci. On the one hand, Mao Zedong, when making use of dialect in his poems, has its specifically social and historical reasons; on the other hand, he makes conscious use of dialect, in order to better pursue the emotion expression. Mao＇s practices of rhyming according to dialect have reflected the correct direction of traditional poems that writing should be a modem spoken voice system to rhyme.

关 键 词：毛泽东诗词 方音押韵 韶山话 自觉运用 不自觉运用 

分 类 号：A84[哲学宗教—马克思主义哲学]