大腔戏的宗族传承危机与抢救保护  

On the Clan Succession Crisis and Rescue Protection of Daqiang Opera

作　　者：罗金满[1] 

机构地区：[1]福建师范大学社会历史学院,福建福州350007

出　　处：《三明学院学报》2015年第3期81-86,共6页Journal of Sanming University

基　　金：福建省社科基金规划项目(2011B114)

摘　　要：大腔戏是明代弋阳腔传入福建后地方化形成的独立声腔剧种。长期以来,它依赖宗族社会的力量而传承延续,形成了具有自身特色的宗族传承规制。然而,自20世纪90年代以来,随着社会变革的加剧,大腔戏的宗族传承出现严峻危机,使剧种面临急遽消亡的命运,抢救与保护已迫在眉睫。对大腔戏采取及时有效的抢救措施,不仅是保护国家重要的非物质文化遗产,而且也为当地文化资源的保存及文化产业、旅游业等发展留下凝重的一笔。Daqiang Opera is an independent spoke opera of the localization of YiYangQiang after it being introduced into Fujian province in Ming dynasty. It relies on the power of the clan society and inheritance for a long time which has formed a clan lineage regulation with its own characteristics. However, along with the intensified social change since the 1990s, the clan succession of the Daqiang Opera appears serious crisis, making it face the fate of the dying sharply and the rescue protection is imminent. Taking timely and effective rescue measures for Daqiang Opera is not only to protect the national important intangible cultural heritage, but also to preserve local cultural resources and leave a dignified for developing cultural industry and tourism.

关 键 词：大腔戏 宗族传承 生存危机 保护对策 

分 类 号：J802[艺术—戏剧戏曲]