中、欧石榴纹样艺术特征比较  

Comparison of Art Characteristics of European and Chinese Pomegranate Pattern

作　　者：尹娜[1] 

机构地区：[1]华南农业大学艺术学院,广州510642

出　　处：《丝绸》2015年第6期48-53,共6页Journal of Silk

摘　　要：纹样是一种足可替代文字的、有效的、视觉符号。每一种纹样背后都隐含着时代特点、宗教信仰、美学观念等历史文化内容。石榴纹作为传统植物纹样的重要组成部分,不仅具有灵活形态,而且蕴含丰富内涵。从不同地域的社会文化、宗教观念和审美意识入手,对处于中国明至清初时期及欧洲文艺复兴时期石榴纹进行对照,注重对构成元素、组织布局、色彩及装饰方法等方面研究,藉以阐明不同地域石榴纹风格特征和精神内涵的差异性,为现今相关理论研究做有益的补充。Pattern is an effective visual symbol lhat can replace text. Each pattern implies the eharacterislics of the times, religious faith, aesthetic concept and other historic euhural contents. Pomegranate pattern as an important constituent part of traditional plant patterns not only has a flexible form, but contains rich connotation. The article pattern from social culture of difference regions, religious ideas and aesthetic consciousness, contrasts pomegranale pattern in lhe period from Ming to early Qing dynasty and renaissance in Europe. This arlicle mainly studies eomponent elements, urganizaliun structure, color and decoration method in order 1o clarify the differences of eharaelerislics and spiritual con,relation of pomegranate pattern in difference regions and supplements relevant theoretical research.

关 键 词：石榴纹 构成元素 组织布局 色彩 装饰方法 

分 类 号：TS941.12[轻工技术与工程—服装设计与工程] K892.24[历史地理—民俗学]