论贾平凹《带灯》的农村书写  

The Country Writing in Jia Pingwa's Dai Deng

作　　者：张谦芬[1] 

机构地区：[1]南京晓庄学院文学院,江苏南京211171

出　　处：《南京师范大学文学院学报》2015年第2期78-82,共5页Journal of School of Chinese Language and Culture Nanjing Normal University

基　　金：2011年国家社科项目"近二十年乡村伦理变迁与乡土小说发展之研究"(编号:11BZW116);2012年南京晓庄学院重点项目"异质空间下小说民族化的多元追求"(编号:2012NXY01)

摘　　要：贾平凹的长篇小说《带灯》关注当下农村的种种困境,体现了作家直面农村现实的创作立场;同时,也是贾平凹学习汉代文学传统进行自我整理的一种实验。但是,由于作家创作方式和思想资源的原因,小说《带灯》对农村生活的叙述多于描写,对农村问题缺少深入的批判和理性的思考。这也是当前农村书写有待突破的瓶颈。Jia Pingwa’s full length novel Dai Deng focus on a variety of predicament in current countryside,demonstrating the author’s attitude of facing the country reality directly; at the same time,it is also an experiment of Jia Pingwa’s learning of the Han Dynasty literary tradition and carrying on self-integration.However,due to some reasons concerning the author’s creation mode and thought resource,the novel is limited in plain narration of the country life,lacks of profound criticism and rational reflection on the rural problems. This is also a bottleneck problem need a breakthrough in current country writings.

关 键 词：《带灯》 农村书写 

分 类 号：I206.7[文学—中国文学]