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作 者:杨建兵[1]
出 处:《武汉理工大学学报(社会科学版)》2015年第3期564-568,共5页Journal of Wuhan University of Technology:Social Sciences Edition
摘 要:官场小说是当下文坛的一大热点。前现代、现代和后现代等社会思潮的同生共存,使官场叙事存在着一种明显的尴尬错位现象,叙述的故事是现代的,贴近现实生活的,而作品描述的官员的执政方式、官场的运行机制,包括作家的创作思维却是前现代的,是与现代民主和法治制度相背离的。新世纪以后官场小说从日常化和世俗化进一步走向大众化与娱乐化,具有鲜明的后现代主义色彩。官场小说的现代性还未完成,已遭消解。Officialdom novels are a hot topic at present. The co-existence of pre-modern, modern and post-modern social trends of thought causes an obvious and embarrassing misplacement of officialdom narration. The stories narrated is modern, close to the real life, but the ruling mode of officials, oper- ating mechanism described in the works and even the author's creative thinking are pre-modern, devia- ting from modern democratic and legal systems. Since the beginning of this century, officialdom no- vels move from daily secularization further towards popularity and entertainment, which have the col- or of post-modernism. The modernity of officialdom novels has not completed yet, but it has disap- peared.
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