现代白话文与中国新诗之发生——《新青年》杂志与白话文学暨新诗诞生之关系  

Modern Chinese Vernacular Writings and the Emergence of Chinese New Poetry: the Relationship between New Youth and the Birth of Vernacular Literature and New Poetry

作　　者：孙玉石[1] 

机构地区：[1]北京大学中文系,北京100871

出　　处：《北京大学学报（哲学社会科学版）》2015年第3期156-164,共9页Journal of Peking University(Philosophy and Social Sciences)

摘　　要：《新青年》杂志在中国现代革命史、思想史、文化史上,在中国新诗,乃至整个中国现代文学发生与发展的历史上,都具有划时代和永久性的意义。《新青年》用白话翻译外国文学作品,为中国现代白话文学的产生及其被接受的可能性,提供了一种创作文本的示范。胡适与陈独秀关于文学革命的对话也成为20世纪中国现代文学发展史上的一次划时代的呼声。自《新青年》杂志陆续刊出新诗作品开始,还产生了"五四"以来中国新诗拥有的以审美、抒情、哲理三者相结合为抒情或叙事特性的艺术传统。周作人、刘半农、沈尹默等用诸多优秀的作品,向新诗历史和新诗读者们预言,五四时代的诗人们如何用探索实践完成了20世纪初期中国新诗从萌芽逐渐走向诗性美与人性美结合并渐趋成熟这样一份沉重而光荣的使命。The journal New Youth is of epoch-making and everlasting significance in the histories of modern Chinese revolution, ideology and culture, and also in the history of modern Chinese literature, including the history of New Poetry. Translating foreign literary works by using vernacular language, New Youth set an example of text creation for the emergence of modern Chinese vernacular literature and the possibility of its acceptability. The dialogue on literary revolution between Hu Shi （胡适） and Chen Duxiu （陈独秀） became an epoch-making call in the history of the development of modern Chinese literature in the 20＇h century. After new poems were successively published in New Youth, a new artistic style for New Poetry came into being, with the combination of aesthetic, lyric and philosophical features. With their outstanding works, Zhou Zuoren （周作人）, Liu Sannong （刘半农） and Shen Yinmo （沈尹默） predicted the history of New Poetry and foretold its readers that the poets in the time of the May Fourth Movement had undergone the process of transforming New Poetry from its germination to the combination of its poetic beauty with human beauty, and then to its maturity in the early 20^th century.

关 键 词：《新青年》 白话文学 新诗 

分 类 号：I206.6[文学—中国文学]