当代文化背景下界首彩陶发展途径研究  

The Approaches to the Development of Jieshou Colored Pottery on the Contemporary Cultural Background

作　　者：江文淼[1] 江河[1] 

机构地区：[1]阜阳师范学院美术学院,安徽阜阳236037

出　　处：《阜阳师范学院学报（社会科学版）》2015年第3期144-147,共4页Journal of Fuyang Normal University：Social Science Edition

基　　金：皖北文化研究中心省级科研机构委托专项一般项目"文化创意产业导向下界首彩陶的功用延伸与产品创新研究"(2013WBZX05)

摘　　要：界首彩陶作为首批国家级非物质文化遗产,由当代国家级工艺美术大师卢山义在传统烧制工艺基础上,创刻出独具地方特色的戏曲"刀马人"图案而一举屹立于国内陶艺之林。随着与时代发展同步产生的城市文化、时尚文化和流行文化等的兴盛传播,多种文化艺术品类令人目不暇接,也争夺着受众市场。在此背景下,界首彩陶在保护非物质文化遗产理念、传承人才培养、作品营销以及衍生品开发等方面,存在着影响发展的症结,制约着对界首彩陶的有效保护。树立原创保护与工艺拓展并举的理念,加强后继高素质人才培养,重视界首彩陶文化品牌的塑造与适路营销,尤其是积极合理地开发以彩陶为主的衍生产品,应是促进界首彩陶保护与合理开发的有效途径。Jieshou colored pottery is one of the first National Intangible Cultural Heritages ,which was engraved by Lu Shanyi, a national grade master of arts and crafts. He has made great contributions to the pottery and helped it stand erect in the national pottery. His most famous works Daomaren design is based on our national traditional techniques for baking. With the development and spread of urban culture , fashion culture, and popular culture, various works of art dazzle visitors, which make market competition more intense. Against this background, there are some problems on the ideas of the protection of intangible cultural heritages, the training of new artists, the marketing of works and the exploration of its derivative products, which have laid the restrictions on the further protection of pottery in Jieshou. So we should establish the idea that protecting original work and developing its technology are equally important. Above all ,the best approach in protecting and developing Jieshou colored pottery properly is to focus on colored pottery and develop derivatives actively.

关 键 词：文化背景 界首彩陶 刀马人 发展 途径 

分 类 号：H059[语言文字—语言学]