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作 者:徐勇[1,2]
机构地区:[1]浙江师范大学人文学院,浙江金华321004 [2]复旦大学中文系,上海200433
出 处:《海南师范大学学报(社会科学版)》2015年第5期24-31,共8页Journal of Hainan Normal University(Social Sciences)
基 金:国家社科基金项目"‘50-70年代文学’与‘新时期文学’之关联研究"(编号:08BZW057)
摘 要:对于寻根作家而言,其转向"寻根",不仅意味着题材的转变,更表明针对历史/现实及传统的不同态度,这表现在从具体现实到模糊时空的变化和不规范文化的提出等不同层面。如果说,寻根写作是重新把"自然"变成"风景"的话,那么这一倾向在某种程度上就是知青写作中返回倾向的延续,其在文学史的意义也就有待重新考量了。As for writers engaged in ancestor-related writings, their "turn" to ancestor-related themes in their writing denotes not only their change in the subject-matter but also their diverse attitudes towards history/reality and tradition, as is manifest in various aspects such as the change from the specific reality to vague time and space as well as the presentation of substandard culture. Suppose the writing on ancestor-related subjects is to retransform "nature" into " landscape ", such a trend in writing is in a way a continuation of the trend of return in writings on school graduates, and its significance is the literary history is to be reconsidered.
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