20世纪最初二十年传统曲学的生态考察与征象透视  

On the Ecological Investigation and Phenomenon Exploration of Traditional Musical Arts in the First 20 Years of the 20th Century

作　　者：李占鹏[1] 

机构地区：[1]海南师范大学文学院,海南海口571158

出　　处：《吉林艺术学院学报》2015年第1期26-31,共6页Journal of Jilin University of Arts

基　　金：国家哲学与社会科学基金项目"20世纪曲学史研究"(10XZW021)成果

摘　　要：20世纪最初二十年传统曲学以俞樾《小蓬莱仙馆传奇序》为开端,由于它具有20世纪曲学史的奠基和开启意义,在一定角度可以看作是20世纪传统曲学确定发凡起例、宣布著书立说的导言。前十年虽不甚活跃,但已渐聚生气,尤其是国学大师王国维已做出了曲学成果;后十年则形成了基本的规模和格局,不仅从事传统曲学的学者空前增多,而且涉及的对象、领域更为广泛,甚至在将要收束时还一度出现了被作为焦点而引起激烈争论的热闹场面,产生了不同于以往的新变化,这些变化使传统曲学在经受磨难和挫折的同时,又迎来了一个面临各种机遇和挑战的新时代。The traditional musical arts in the first 20 years of 20 th century took The Preface of Minor Penglai Pavilion by Yu Yue as the beginning. Since it was the foundation and start of traditional musical arts in 20 th century, the work could b e regarded as the determined exemplary introduction from certain angle. The inactive first 10 years had gradually got vitality, especially for the master Wang Guowei＇s musical achievements. During the following 10 years, it formed basic scale and pattern, not only with many scholars engaging in traditional musical arts, but also with more relative objects and fields. Even in the end of this period, there appeared heated discussions taking it as a focus. The fresh changes brought the traditional musical arts both hardship and frustration and a new era of opportunities and challenges.

关 键 词：20世纪最初二十年 传统曲学 生态 征象 

分 类 号：J809[艺术—戏剧戏曲]