“文摊”里的民族国家——论延安时期赵树理小说的现代性追求  

National Country in “Literary Booth”—— Modernity Pursuit in Zhao Shuli's Novels in Yan'an Period

作　　者：李国栋[1] 

机构地区：[1]陕西师范大学文学院,陕西西安710100

出　　处：《太原师范学院学报（社会科学版）》2015年第2期88-91,共4页Journal of Taiyuan Normal University:Social Science Edition

摘　　要：赵树理曾以"文摊文学家"为自我定位,他的"文摊"里包含了深刻的"现代性"家国内涵,其延安时期小说更是迎合了解放区政权的"现代性方案",他对"革命"内容进行现代性书写与反思,继承并创新了传统民间文艺形式,他所代表的"本土"现代性规范直接体现了建立现代民族国家的价值诉求。Zhao Shuli once gave a self-orientation as a ＂Writer of Literary Booth＂. His ＂Literary Booth＂ contains profound ＂modernity＂ connotation of family and nation, and his novels in Yan＇an period carter to ＂modernity program＂ by the political power of the liberated areas. His modernity writing and introspection of ＂revolutionary＂ content inherits and innovates traditional folk art forms, and the ＂local＂ modernity norm he represents directly embodies the value appeal for establishing a modern national country.

关 键 词：赵树理 延安时期 小说 民族国家 现代性 

分 类 号：I206.7[文学—中国文学]