北朝碑志文所见南北文学交流  

On the Literary Exchanging of Literature Identified by the Inscriptions and Epitaphs in the Northern Dynasties

作　　者：张鹏[1] 

机构地区：[1]咸阳师范学院文学与传播学院,陕西咸阳712000

出　　处：《安康学院学报》2015年第3期39-43,共5页Journal of Ankang University

基　　金：教育部人文社会科学研究规划基金项目"北朝石刻文献的文学研究"(10YJA751111)

摘　　要：碑文和墓志是南北朝重要的散文样式。北魏前期的碑文与刘宋初期的碑文具有类似的文学特征,南朝碑文在齐梁以后繁缛典丽的特征要到北魏末期才影响到北朝碑文的写作。碑文的变体铭文中出现的山水景物及游仙题材描写也在北魏到北齐有所表现。在墓志中,南、北墓志同时出现对抒情功能的重视,在南朝宫体文学出现之初,北朝墓志中也出现了对女性艳丽特征的描写,二者呈现出基本同步的发展。碑文和墓志在南北文学交流过程中的不同步,体现出北朝文学接受南朝文学过程中不同文体间的不平衡。Inscriptions and epitaphs are different prose styles in the South and North dynasty. Inscriptions present similar literal character- istics in early North wei dynasty and early Song dynasty. In Qi and Liang dynasty, Inscriptions present new of aureate, allusions quoting and over elaborating. These characteristics emerged from inscriptions in late North wei dynasty. Subject of landscape and Fairy tales in in- scriptions goes from the South to the North. Lyric in Epitaphs is paid more attention in both South and North dynasty. At the beginning of the palace poems writing in liang dynasty, descript on beauty of women emerged in women＇s epitaphs in the north dynasty and present similar literal characteristics.

关 键 词：南北朝 碑文 墓志 文学交流 

分 类 号：I206.2[文学—中国文学]