当代文学“选本”分类与批评范式的演变  

The Evolution of Contemporary Literature "Anthology" Classification and Critical Mode

作　　者：徐勇[1,2] 

机构地区：[1]浙江师范大学人文学院 [2]复旦大学中文系

出　　处：《社会科学》2015年第7期185-191,共7页Journal of Social Sciences

基　　金：浙江省"之江青年课题""选本编纂与八十年代文学空间的建构"(课题编号:14ZJQN008YB)的阶段性成果

摘　　要：当代文学"选本"分类经历了所谓从主题、题材到主义的转变。这一转变所表征的,不仅仅是选本编纂原则的变迁,更是"总问题域"和"批评范式"的演变。题材主题编选原则的出现与意识形态反映论息息相关。在现实主义(包括浪漫主义)写作中,其所反映内容的优先性(即意识形态)决定了题材主题分类的重要地位,但在现代主义甚至后现代主义那里则不同,形式上的探索则逐渐占据主导地位。现代主义思潮选本在80年代中后期集中涌现表明的正是这这一"主题学"编选原则和批评范式的失效,以及新的批评范式的诞生。The standard of contemporary literature ＂anthology＂ classification has changed from the theme to the doctrine. The change not only reflects the vary of anthology compilation principles, but also the evolution of ＂problem domain＂ and ＂critical mode＂ The emergence of compilation principles of theme relates closely to the ideological theory of reflection of. In realism, the priority of the content in which is included by text has decided the important position of theme classification, while it is different from modernism or postmodernism, and the exploration on form gradually occupies the dominant position. The emergence of anthology of modernism concentrated in 1980＇s indicates the failure of subject compiling principles and critical mode and the birth of the new criticism.

关 键 词：当代文学 选本分类 批评范式 现代主义文学思潮 

分 类 号：I206.7[文学—中国文学]