孟浩然《诗经》情结窥析  

A Prying Analysis of Meng Haoran's Complex about The Book of Songs

作　　者：李金坤[1] 

机构地区：[1]江苏大学文法学院,江苏镇江212003

出　　处：《苏州科技学院学报（社会科学版）》2015年第3期39-45,共7页Journal of University of Science and Technology of Suzhou:Social Science

基　　金：国家社科基金后期资助项目"<风><骚>诗脉与唐诗精神"(13FZW010)

摘　　要：孟浩然诗歌具有很深的《诗经》情结,诗人对《诗经》的接受主要体现在"词汇乐用"、"典故活用"、"比兴巧用"、"风格化用"等四个方面。诗人如此钟情于《诗经》,古为今用,故而形成了其诗歌清淡中蕴古朴、自然中涵雅致的审美风格与艺术境界,由此熔铸出诗人自己山水田园诗的独特精神与审美特征。There is a deep complex about The Book of Songsin the poems by Meng Haoran.Meng’s acceptance of The Book of Songs can be mainly embodied and seen in such four aspects as the pleasant use of words,the vivid ap-plication of idioms,the smart employment of Bi and Xing,and the creative adaptation of the styles of The Book of Songs into his own poems.Meng was so deeply in love with TheBook of Songs and so highly valued it that he could apply the old classics to his own experience of poem-composing,thus having formed the aesthetic style and artistic realm as with primitive simplicity implied in delicateness and with elegance hidden in pure naturalness,and having forged the distinctive spirit and unique aesthetic characteristics in his idyllic poems.

关 键 词：唐诗 孟浩然 《诗经》 情结 

分 类 号：I222.742[文学—中国文学]