论曹操诗文的死亡美学意味  

Study of the Death Aesthetics in Cao Cao's Peotry

作　　者：程勇真[1] 

机构地区：[1]郑州大学文学院,河南郑州450001

出　　处：《河南大学学报（社会科学版）》2015年第4期92-97,共6页Journal of Henan University(Social Sciences）

摘　　要：曹操诗文具有浓厚的死亡美学意味,这形成其作品"清峻通脱""古直悲凉"的审美风格。曹操诗文的死亡美学意味主要体现在他前期的时事诗及后期的游仙诗中。曹操诗文死亡美学意味产生的主要原因是汉末战争及瘟疫流行造成民众的大批死亡,楚地悲情之风以及汉乐府体制对曹操诗文死亡美学意味的形成亦具有重要影响,而儒家、道家及道教死亡美学思想亦影响了曹操诗文死亡美学意味的形成。曹操在诗文作品中透露出来的死亡美学意味,不仅直接奠定了当时整个建安文学"慷慨悲凉"的审美基调,而且深深影响了中国后世文学创作及中国人基本的死亡美学态度。研究曹操诗文中的死亡美学意味,具有重要意义。Cao Cao＇s peotry has rich death aesthetic meaning,which forms an aesthetic style of unrestrained sadness.The death aesthetic meaning in Cao Cao＇s poetry is mainly embodied in his earlier current event poems and his later immortal poetry.The formation of the death aesthetic meaning in Cao Cao＇s poetry has four reasons：the large number of deaths caused by the war and the pestilence taking place in the late Han Dynasty are the direct reason,the cultural badness of the Chu State and Han Yuefu system conducts an important influence on the formation of the death aesthetic meaning in Cao Cao＇s poetry,and Confucianism,Taoism and the religion of Tao affect the formation of the death aesthetic meaning in Cao Cao＇s poetry.The death aesthetic meaning in Cao Cao＇s poetry does not only directly lay the＂sadness＂aesthetic mood of Jian＇an literature,but also deeply affects the subsequent Chinese literature and the Chinese basic aesthetic attitude toward death.Researching on the death aesthetic meaning in Cao Cao＇s poetry has an important significance.

关 键 词：曹操诗文 死亡美学意味 时事诗 游仙诗 原因分析 影响 

分 类 号：I206.2[文学—中国文学]