延安文艺的“大众化”选择及其现代性悖论  

The Paradox of the“Popularization”Choice of Yan'an Literature and Art and its Modernity

作　　者：张继红[1] 张学敏[1] 

机构地区：[1]天水师范学院文学与文化传播学院,甘肃天水741001

出　　处：《天水师范学院学报》2015年第3期25-29,共5页Journal of Tianshui Normal University

基　　金：国家社科基金项目"城市化进程中的"城-乡"关系与社会文明价值建构项目(13BZW120);天水师范学院"青蓝"人才工程基金项目阶段性成果

摘　　要：延安文艺时期"唯一源泉论"的出台和"大众化"道路的选择,是特殊历史语境下文艺功能"合目的性"的典型行为,客观上促进了这一时期文学的"翻身想象"和大众化观念;但从20世纪中国文学的现代性想象来看,延安文艺时期的大众化选择,一方面为文艺的群众化、平民化获得了话语保障;另一方面,由于"革命的启蒙"话语力量的介入,五四新文学传统中的审美现代性追求难以为继。这一特殊时期对文学资源的选择和评估,深刻地影响了20世纪后半叶中国文学的现代化进程。The appearing of＂sole source＂and the＂popularization ＂choice during Yan＇an period are quite typicalphenomenon under special historical background, which promoted the then literary development and the populariza-tion concept. Viewed from the 20 th modernity imagination of Chinese literature, this choice acquired utterance guar-antee for the literary popularization and plebification, but the intervention of revolutionary utterance affected the de-velopment of modern aesthetics coming from May 4th tradition. The choice and assessment of literary resources inthe special period deeply influence the modern process of Chinese literature.

关 键 词：延安文学 《讲话》 大众化 现代性 悖论 

分 类 号：I206[文学—中国文学]