民族文化交融与元杂剧之爱情婚姻剧研究  

Study on Ethnic Cultural Integration and Love and Marriage Dramas of Yuan Opera

作　　者：云峰[1] 

机构地区：[1]中央民族大学出版社,北京100081

出　　处：《中央民族大学学报（哲学社会科学版）》2015年第3期123-129,共7页Journal of Minzu University of China(Philosophy and Social Sciences Edition)

摘　　要：元代系我国历史上第一个由少数民族——蒙古族入主中原建立的统一的中央王朝,其间民族文化交融非常活跃,并且深深地影响了当时的文学创作。在当时民族文化交融的大背景下,元杂剧与唐传奇对中国传统婚姻模式的反映即有所不同。元杂剧对才子佳人爱情的描写等,反映了当时蒙古等北方少数民族关于爱情婚姻方面的崇尚自然、较少束缚;当时比较宽松的思想政治环境,及其对封建礼教的强力冲击等,均对元杂剧之爱情婚姻剧产生明显的影响。Chinese history,the Yuan Dynasty was the first unified central dynasty established by an ethnic group,Mongolian. In that period,vigorous integration of ethnic cultures had a deep influence on literature creation. Under this background,Chinese traditional marriage described in Yuan Opera was different from the legends of the Tang Dynasty. The love stories between talented scholars and beautiful ladies in Yuan Opera reflected the life of Mongolians and Northern ethnic minorities who loved nature and had little bondage in love and marriage. Their relaxed ideological and political environment had a strong impact on feudal ethics and also on the production of love and marriage dramas of Yuan Opera.

关 键 词：元杂剧 蒙汉文化交融 元代爱情婚姻剧 

分 类 号：I207.37[文学—中国文学]