乾隆南巡视域下的江南文人承应戏  

Analysis of the Emperor Welcoming Dramas Created by Literati in Southern China during Emperor Qianlong's Six Southern Tours

作　　者：王汉民[1] 郭晓彤[1] 

机构地区：[1]福建师范大学文学院

出　　处：《浙江艺术职业学院学报》2015年第1期6-10,23,共6页Journal of Zhejiang Vocational Academy of Art

基　　金：国家社科基金项目"乾隆朝文人剧作研究"研究成果。(项目编号:12BZW052)

摘　　要：乾隆皇帝六次南巡,江南官府、富商为了满足乾隆皇帝的欣赏需要,一方面改编旧剧,推存出新;另一方面聘请厉鹗、王文治、蒋士铨等人创制新剧承应。由于面对的是特殊的观众,江南文人的迎銮承应戏以颂圣德、祝圣寿、歌太平为主题,同时又展现了江南的美丽风景、民风民情,有着很浓的地域色彩。During Emperor Qianlong＇s six tours to the southern region of Yangtze River,local officials and tycoons adapted old dramas to cater to Emperor Qianlong＇s playgoing. They also invited Li E,Wang Wenzhi and Jiang Shiquan etc. for playwriting. With such special target audience as Emperor Qianlong,emperor welcoming dramas created by literati in Southern China were expected to extol emperors＇ virtue and social harmony,and featured with obvious local characteristics through presenting picturesque sceneries and folk customs of southern region of Yangtze River.

关 键 词：乾隆南巡 迎銮承应戏 颂圣德 祝圣寿 歌太平 

分 类 号：J809[艺术—戏剧戏曲]