近五年中国内地女性电影的转型与表征  

Transformation and Characterization of Woman's Films in China's Mainland in Recent Five Years

作　　者：郑燕[1] 

机构地区：[1]浙江金融职业学院人文艺术系

出　　处：《浙江艺术职业学院学报》2015年第1期29-34,共6页Journal of Zhejiang Vocational Academy of Art

基　　金：浙江省教育厅2013年度科研项目<女性主义视角下的中国近期女性电影研究>成果。(项目编号:Y201329150)

摘　　要：以2010年为节点,中国内地女性电影出现井喷期。这一时期由内地女性导演群体执导的女性题材电影,更具有本土化的区域特征和温婉化的性别特征,不仅电影作品中的角色逐渐剥离了原来的小众、边缘、另类的印记,而且电影创作风格也更加贴近大众审美主流。这种转变体现了近五年来中国内地女性导演的职业、文化自觉,其电影作品更加淡化了惟女权主义的创作指向,进一步趋于成熟。Since the year of 2010,woman＇s films in China's Mainland have been spurting out and woman＇s films directed by female directors have shown more of the regional characteristics of localization and gender characteristics of gentleness. Not only the characters in the films have peeled off the mark of minority,marginalization and alternative,but the creating styles have also become more close to the aesthetic mainstream of the public. All of these changes represent the professional and cultural consciousness of female directors in China's Mainland in the recent five years.Their cinematographic works further soften the creating tendency of feminism only and become more mature.

关 键 词：中国内地 女性导演 女性题材电影 

分 类 号：J905[艺术—电影电视艺术]