电影的美学思考与文化愚乐——从同期上映的《三枪拍案惊奇》《十月围城》《阿凡达》说开去  

Aesthetic Thinking and Cultural Fooling of Film

作　　者：傅守祥[1] 

机构地区：[1]华东政法大学

出　　处：《浙江艺术职业学院学报》2015年第1期112-117,共6页Journal of Zhejiang Vocational Academy of Art

基　　金：国家社会科学基金重大招标项目(项目批准号:12&ZD22);教育部留学回国人员科研启动基金资助项目;华东政法大学马克思主义理论学科团队项目阶段性成果

摘　　要：反观2010年元旦前后这一"时间节点"上在中国电影市场上映的四部影片,对比分析"国际名导"张艺谋的电影《三枪拍案惊奇》,包夹在境外大片《2012》《十月围城》《阿凡达》中公映,凸显了张艺谋这部作品"文化垃圾"的本性。张艺谋的《三枪》折射出消费逻辑支配下中国导演一定程度上的责任缺失。消费主义的影响难以回避,但如果不加分辨地任由文化经济化、艺术商业化,文化一味"化"钱,艺术止于"养"眼,将后患无穷。文化"化"人,艺术"养"心;重在引领,贵在自觉,将是我们发展文化艺术的总方向。Before and after New Year＇s day in 2010,four films opened in Chinese cinemas,which were 2012,Bodyguards and Assassins,Avatar,and Chinese well-known director Zhang Yimou＇s A Simple Noodle Story. On the basis of analysis and comparison,people would find that this film of Zhang Yimou was just a cultural garbage. It was really for money under the banner of entertainment,and it reflected that under the logic of consumption Chinese director was lack of social responsibility now. The influence of the consumerism is inevitable,and there will be no end of trouble if Chinese government do not restrict culture economization and art commercialization. Culture cultivates people＇s mind,and art nurtures people＇s soul,which will be our overall goal.

关 键 词：三枪拍案惊奇 美学思考 文化愚乐 张艺谋 艺术规范 

分 类 号：J901[艺术—电影电视艺术]