《名媛诗话》关于女诗人于归前后创作评述  

Critical Reading on the Ideas of Female Poets' Creation State Before and After Marriage Given in Mingyuan Shihua

作　　者：戴菁 

机构地区：[1]南京大学文学院,南京210046

出　　处：《淮阴工学院学报》2015年第2期43-46,共4页Journal of Huaiyin Institute of Technology

摘　　要：《名媛诗话》的编纂者沈善宝在书中论及同乡女诗人方芳佩作品时指出,女性于归后,生活环境变化所带来的创作境遇的改变,往往导致女性作者才情消磨、诗思日疏。在《名媛诗话》全书及沈善宝自身诗作中,不但体现了这一变化,而且对其表露出复杂的情感。将范围扩充至清代女性诗人群体,在其别集序言中,她们及其亲友亦对这一变化常有叙述,并或隐或显地传达出各自的情感与态度。When making comments on her hometown poetess Fang Fangpei’ s works,the compiler of Mingyuan Shihua（ Notes on Female Poets）,Shen Shanbao,pointed that marriage,to a large extent,brings radical changes to the environment for women to create works,then results in recession both in their creative passion and talents. Such recession could be found in Shen ’s works and she showed complex feelings to those changes happened in her life. If we take a look at the works of poetess group in the Qing dynasty,in the prefaces to their anthologies,they,along with their relatives and friends,described these changes from time to time and delivered respective attitudes and emotions implicitly or explicitly.

关 键 词：沈善宝 《名媛诗话》 创作状态 

分 类 号：I206.2[文学—中国文学]