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机构地区:[1]西安建筑科技大学文学院,陕西西安710055
出 处:《宝鸡文理学院学报(社会科学版)》2015年第3期83-88,共6页Journal of Baoji University of Arts and Sciences:Social Science Edition
基 金:国家社科基金西部项目:当代文学的新乡土叙事比较研究(项目编号:11XZW019);陕西省教育厅专项科研计划项目:贾平凹新世纪商州叙事与格拉斯但泽三部曲叙事比较研究(项目编号:14JK1375)阶段性成果
摘 要:在文学创作及其接受中,凡涉及性爱描写的作品,就会引起强烈的争议。这涉及性爱描写的限度与我们接受的心理适应程度,以四部小说为例,性爱文学的限度和可能性是由于基于伦理道德的差异性而构建的艺术世界,因而充满争议。性爱文学及其表现与人类的胸襟紧密相连,人类有多大胸襟就会有多大的性爱艺术境界,也有多大容纳这类作品的心理精神空间。There exists a phenomenon in literary creation and acceptance,that is,all literary works con-taining sexuality are bound to arouse intense controversy. This paper chooses four sexuality novels both fromAbroad and China to study this phenomenon from the angle of literary acceptance. To what extent can sexualitybe involved in literary creation? How is it possible or probable for the writers to portray sexuality in their liter-ary works? What on earth do we need? What kind of co-adaptation should be constructed between the extent ofsexuality portrayal and the degree of our psychological acceptance? What relationship should be constructed be-tween all these and the degree of human civilization as well as the breadth of human vision and mentality? Thecoauthors of this paper are willing and eager to study and explore these problems with all of you.
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