孩童眼光与狂欢叙事——王小波小说的民间写作立场解析  

Charm Narration and Children's Eyes

作　　者：段素梅[1] 

机构地区：[1]陕西师范大学文学院,西安710119

出　　处：《成都师范学院学报》2015年第6期69-72,共4页Journal of Chengdu Normal University

摘　　要：50年代出生的作家中,有一个特立独行的人——王小波,始终以独特的创作视角和大胆的想象诠释着关于自己对创作的思考、人生的理解、生活的感悟及对自由的渴望。其独特的创作视角则源于他孩童的眼光,从语言风格到形象设置,从小说结构到故事氛围,他像个孩子一样带着我们快乐地奔跑,而这些却惊人地与巴赫金的狂欢化诗学理论不谋而合。本文将运用巴赫金的狂欢化诗论进一步解读王小波作品的魅力,并探析其民间写作立场。Among writers born in the 50 s,Wang Xiaobo was a maverick person,who explained his thought about creation,comprehension about life,feeling about living,and the willingness of freedom with his special creative visions and bold imagination. The special creative visions came from his children- like eyes. From language to image setting,and from the structure of novel to atmosphere,Wang took us to run happily in his world as children. However,it was amazed that all of it coincided with Bakhtin＇s theory. The paper will use Bakhtin＇s carnival poetics to interpret the charm of his works,and analysis the contribution of Wang in affirming folk culture.

关 键 词：王小波 巴赫金 狂欢化 孩童视角 民间化 主流文化 文化诗学观 

分 类 号：I206.7[文学—中国文学]