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作 者:罗鹭[1]
机构地区:[1]四川大学中国俗文化研究所文学与新闻学院,成都610064
出 处:《四川大学学报(哲学社会科学版)》2015年第3期66-73,共8页Journal of Sichuan University:Philosophy and Social Science Edition
基 金:国家社会科学基金青年项目“元代印刷文化与文学研究”(11CZW036)
摘 要:五山时代前期的元朝与日本,虽然在政治和军事上处于对峙状态,但民间的商业贸易、人员往来和文化交流非常频繁,因而造就了元日文学交流活动的盛况。具体来说,这一时期的文学交流主要表现在以下三方面:其一,东渡元僧在日本的诗歌唱和、文章应酬等活动,直接刺激了五山文学的发展;其二,受东渡元僧的接引,日本僧人纷纷入元游学,在中国的游历激发了他们的创作热情,有诗文集传世的入元日僧多达12家,尤以雪村友梅、此山妙在、别源圆旨为杰出代表;其三,日本南北朝时期翻刻的元人诗文集至少有15种,翻刻数量之多、传播速度之快、刊刻质量之精,都是中日文学交流史上的奇迹。China( during the Yuan Dynasty) and Japan were experiencing political and military conflicts in the early Gozan era; however, there were frequent trade contacts and cultural exchanges in the folk society between the two countries. Monks of Mongol Yuan Dynasty crossed over to Japan had a great impact on Japan's culture, especially by instilling new vitality into its literature. Guided by Chinese monks, Japanese monks travelled abroad in succession. Their tours around China stimulated their literary creation, and about 12 volumes of their poems have survived. Furthermore, poetic anthologies by poets of Mongol Yuan Dynasty were repeatedly published during Japan's Southern and Northern Dynasties, confirming their widespread popularity in those periods.
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