《战狼》:军事题材的社会化生产与类型化突围  

Wolf Warrior: Socialized Production and Typification Breakthrough of Films with Military Themes

作　　者：刘新鑫[1] 高山[2] 

机构地区：[1]中国传媒大学,北京100024 [2]中国电影艺术研究中心,北京100082

出　　处：《解放军艺术学院学报》2015年第3期65-67,共3页Journal of PLA Art Academy

摘　　要：《战狼》的成功在偶然中蕴含着必然,社会化生产为《战狼》的成功奠定了必要的基础,而纯正的类型化操作则更直接地为影片走向市场与观众搭建了一座坚实的桥梁。作为一部弘扬爱国主义的现代战争片,《战狼》受到广大观众与市场的欢迎,强有力地证明了爱国主义并非没有市场,电影作为文化产品有能力与国家主流意识形态和社会心理构成深层次的文化共振。The success of Wolf Warrior contains the inevitable in the evitable, which means that the socialized production has laid the necessary foundation for its success, and the pure typification operation has built a solid bridge for it to access more directly the market and the audience. As a modem war film carrying forward patriotism, Wolf Warrior was welcomed by the audience and the market, which strongly proves that patriotism is not without its market, that film as a cultural product is able to construct a deep cultural resonance with the national mainstream ideologies and social psychologies.

关 键 词：《战狼》 军事题材 社会化生产 类型化 

分 类 号：J905[艺术—电影电视艺术]