族群叙事中的核心诉求——苗族大迁徙舞的“返乡情结”解读  

The Core Appeal in Ethnic Narratives:the “Home-returning Complex”in the Hmong Migration Dances

作　　者：王声珅[1] 刘远林[1] 

机构地区：[1]贵州大学艺术学院,贵州贵阳550003

出　　处：《贵州大学学报（艺术版）》2015年第3期114-117,共4页Journal of Guizhou University Art Edition

基　　金：贵州大学文科重点学科及特色学科重大科研项目(项目编号:GDZT201003号);2012年"本科教学工程"建设项目"舞蹈学特色专业建设"(项目编号:BKJX2012002)

摘　　要：苗族大迁徙舞是苗族保存至今最庞大、完整的文化叙事性舞蹈。族群建构与集体记忆是大迁徙舞得以形成的重要母题。种族迁徙的民族历史,体现出对"返乡情结"的体恤与认同。现代语境下的精神贫瘠与群体归返于原初栖息之所的渴求形成对比,实现回到实体故乡、精神返乡、人的自由全面发展是"返乡情结"最终的精神诉求。The migration dances of Miao nationality are the largest and the most complete dances of cultural narrative.The important motifs throughout the dances are the ethnic construction and collective memory. The history of ethnic migration embodied the compassion and identity with the ＂home- returning complex＂. The ultimate spiritual appeals for＂home- returning complex＂are to return to the substantial and spiritual hometown as a complete fulfillment by contrasting the spiritual sterility in modern context and the aspiration to return to the original habits.

关 键 词：苗族大迁徙舞 返乡情结 精神诉求 

分 类 号：J720.9[艺术—舞蹈]