祖先的路:大花苗“大迁徙舞”与族群记忆  

Ancestors' Journey: the Migration Dances and Ethnic Memory of Da-hua-miao( a community of Miao nationality)

作　　者：曾雪飞[1] 王唯惟[1] 

机构地区：[1]贵州大学艺术学院,贵州贵阳550003

出　　处：《贵州大学学报（艺术版）》2015年第3期118-124,共7页Journal of Guizhou University Art Edition

基　　金：贵州大学文科重点学科及特色学科重大科研项目"贵州苗族舞蹈艺术研究"(项目编号:GDZT2010013)

摘　　要：大花苗"大迁徙舞"是集芦笙音乐与舞蹈于一体的综合艺术,整个乐舞分为三个部分:鸡叫舞、行路舞、追忆与欢乐舞等,完整再现了苗族祖先艰苦的迁徙历程。大迁徙舞的研究不仅需要关注舞蹈,而且需要将舞蹈与苗族的音乐、诗歌结合起来进行探讨,其内容在于回顾祖先迁徙之路,表达对英雄祖先的纪念和对故土的眷念。大迁徙舞之艺术内涵在于其艺术的社会化意义,即成为族群历史的共同记忆和族群认同的纽带。＂The migration dances＂of Da- hua- miao（ a community of Miao nationality）,an integrating art with Lu-sheng music（ reed- pipe wind music） and dance,are composed of three parts： the dance accompanied by rooster＇s crow,the dance of trudge; the dance of nostalgia and happy days,displaying the hard migration of the Hmong ancestors. In its study,it not only requires to study the dance itself but also to discuss the integration of dance,the music and lyrics of Miao nationality to review the ancestors＇ migration and to show their respect to the ancestors and the spiritual attachment to the hometown. The artistic connotation of the migration dance lies in its social significance,that is,it is the collective memory of the ethnic history and common link of the ethnic identity.

关 键 词：祖先认同 大花苗 大迁徙舞 族群记忆 

分 类 号：J720.9[艺术—舞蹈]