贵族化视角下的北魏元湛墓志考释  

The Analysis of Yuan Zhan's Epitaph from the Aristocratic Perspective

作　　者：刘军[1] 

机构地区：[1]吉林大学古籍研究所,吉林长春130012

出　　处：《淮阴师范学院学报（哲学社会科学版）》2015年第4期482-487,560,共6页Journal of Huaiyin Teachers College(Social Sciences Edition)

基　　金：黑龙江省哲学社会科学规划基金项目"中国古代北方游牧民族行国体制研究"(14D031);吉林大学基本科研业务费科学前沿与交叉学科创新项目"北魏宗室阶层士族化进程研究"(2012QY046);吉林大学"985工程"建设基金项目

摘　　要：北魏元湛墓志造型规整、书法俊秀、刻工精湛,实属邙山元魏墓志之精品,具有极高的文物、艺术和史料价值。志文翔实记录了墓主元湛的家世背景、文化类型、生活样式及仕宦履历,生动地描绘了北魏洛阳时代日新月异的社会风貌与内徙胡人的生存境遇,揭示了宗室贵族化的总体趋势和演变线索,为后人研究中古民族历史提供了重要素材。基于阀阅的贵族主义乃六朝主流时尚,此志恪守贵族信条撰写,集中展示贵族化运动的成熟理念。以此为视角审视元湛墓志,方能挖掘字里行间潜藏的宝贵信息,而这是传统学术枯燥刻板的训诂考释力所不及的。The epitaph of Yuan Zhan from the Northern Wei dynasty was manufactured the exquisite workmanship as the representative of the Mang mountain Weibei, which had great artistic, cultural and historical value. Yuan Zhan's family background,culture type, life style and his records about being official were well documented that vividly depicted the changing social style of the Luoyang period and the immigrated Hu person's survival status. The royal clan's general trend and the evolutionary clue to the nobility were revealed that provided important material for the medieval national history research. Yuan Zhan's epitaph was written according to the aristocratic as the mainstream fashion through the Six dynasties so centrally showed the result of the aristocratic movement. It was the most appropriate view angle from the aristocratic to scan the epitaph. The literal word textual research fell into the mechanical stereotype and couldn't meet the needs of the modern academic.

关 键 词：北魏 元湛墓志 宗室 贵族化 汉化 

分 类 号：K877.45[历史地理—考古学及博物馆学]