歌剧《伤逝》子君咏叹调的音乐语汇及演唱处理  

Musical Vocabulary and Singing Techniques of Zijun Aria in Opera Mourning

作　　者：匡祎[1] 

机构地区：[1]沈阳音乐学院民族声乐系,辽宁沈阳110004

出　　处：《辽宁师范大学学报（社会科学版）》2015年第4期549-553,共5页Journal of Liaoning Normal University(Social Science Edition)

基　　金：辽宁省教育厅人文社会科学研究一般项目(W2013244)

摘　　要：咏叹调对于歌剧和歌剧人物角色都具有核心的、不可替代的作用,而音乐语汇与演唱处理是咏叹调的两个核心要素。要想真正掌握一首咏叹调,就必须从这两个角度去深入地剖析、解构。歌剧《伤逝》是我国歌剧中的经典代表作品,女主角子君是当之无愧的第一主角,是整部歌剧进行的核心和主线。子君的三首咏叹调完整地展现出女主角的艺术形象与艺术魅力。对这三首咏叹调的分析与处理不仅会使我们更加准确和深刻地理解和把握子君这一歌剧人物角色,同时,也会使我们更加准确和深入地认识、理解和掌握整部歌剧。只有不断研究、探索和掌握正确的声乐学习和演唱方式,才能使声乐实践工作取得不断的进步。Aria plays a core and an irreplaceable function in both opera and its characters.In order to perform an aria very skillfully,one needs to analyze and deconstruct musical vocabulary and performing techniques profoundly because they are the key elements of an aria.Mourning,a classic work in Chinese Opera,has Zijun as its true leading character,which promote the development of the whole opera by being both the core character and the plot line.Through the performance of three arias,Zijun showed fully the artistic image and charm of the heroine.The analysis of three arias enables us to know and perform character Zijun more accurately and helps us to understand the whole opera more profoundly as well.We should do research continuously in order to find the correct way of performing and learning vocal music,and only in this way,can our vocal music practical work make constant progress in the future.

关 键 词：《伤逝》 子君 咏叹调 音乐语汇 演唱处理 人物形象 

分 类 号：J617.2[艺术—音乐]