全媒体时代纪实摄影的传播力分析  

Analysis on the Propagation Force of Documentary Photography in Omni-media Era

作　　者：王玮[1] 李培林[1] 

机构地区：[1]南京师范大学新闻与传播学院,南京210024

出　　处：《长春大学学报》2015年第7期125-127,共3页Journal of Changchun University

摘　　要：全媒体时代促使大众传媒孕育并产生了多种影像的表现形式,全新的视觉图像时代让纪实摄影的发展被赋予了新的意义,这是启示,是机遇,也是挑战。纪实摄影在不断改变人们认知世界的方式和理解世界的心理,重构出现实世界中独特的人文景观,同时凭借大众传播媒介的影响力来思考人生和社会。本文试图从纪实摄影传播力的角度出发,阐述全媒体时代纪实摄影发展过程中的传播特质以及发展纪实摄影的现实意义。Omni-media era leads to the existence of mass media and generates various kinds of manifestation patterns for images. The brand-new visual image era adds the development of documentary photography new meaning, which is enlightenment, opportunity and challenge. Documentary photography is constantly changing people＇ s way of perceiving the world and their mentality of understanding the world. It also reconstructs the unique human landscape in the reality and thinks about life and society by the influence of mass media. The paper tries to elaborate the propagation characteristics and significance of developing documentary photography in omni- media era from the perspective of the propagation force of documentary photography.

关 键 词：纪实摄影 全媒体时代 传播力 

分 类 号：J402[艺术—摄影艺术]