黑匣子剧场建筑设计研究  

Research on the Design of Black Box Theater

作　　者：卜德清[1] 魏文倩 张勃[1] 

机构地区：[1]北方工业大学建筑与艺术学院

出　　处：《华中建筑》2015年第8期65-68,共4页Huazhong Architecture

基　　金："北京市教育教学-人才培养模式创新试验区项目-机械设计制造及其自动化与建筑学专业计划"研究成果(编号:PXM2013_014212_000063);2014年北方工业大学优秀青年教师培养计划项目"基于国际化视野的建筑学国际班教学研究"研究成果

摘　　要：欧美国家实验剧场、黑匣子剧场已经发展了一百多年。我国发展得较晚,1989年北京人艺实验剧场《绝对信号》的上演使我国开始了实验戏剧的探索,从而带动了实验剧场的发展。黑匣子剧场在我国建设数量不多,缺乏设计经验。作者调研了北京地区部分黑匣子剧场建筑现状,并在此基础上分析了黑匣子剧场的基本特征,总结了北京地区黑匣子剧场建筑总体空间模式,观演空间、前厅空间以及后台空间,提出了黑匣子剧场建筑设计中应该注意的问题,为相关设计实践和理论研究提供有益的参考。Experimental theatre and Black Box theater have developed more than 100 years in Europe and the United States, but their development is late in China. ＂Absolute signal＂ which staged in the Beijing people＇s Art Experimental Theatre on 1989 makes our country began to explore experimental drama so as to drive the development of experimental theatre. Black Box theater is few in our country, lacking design experience. The author researches the status of some Black Box theater buildings in Beijing, and based on the analysis of the basic characteristics of Black Box Theatre, summarizing the spatial patterns of Black Box theater buildings in Beijing in general, performance space, front office space as well as the background space, proposing that designers should pay attention to the problems in the design of black box theater building too provide a useful reference for the related design practice and theoretical research.

关 键 词：黑匣子剧场 剧场空间模式 设计方法 

分 类 号：TU242.2[建筑科学—建筑设计及理论]